Wednesday, 30 June 2010

Guest Blogger: Richard Godwin - Pablo Picasso


PABLO PICASSO.

by Richard Godwin
Art is a lie that makes us realize the truth.

— Pablo Picasso












The names read like an invocation of art: Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Clito Ruiz y Picasso.
Pablo Picasso remains one the most influential artists in the world.
Why?
Because not only did he change the entire course of the art world but he remains relevant today, having created works of enduring appeal and impact. His influence continues to resonate.
Born 25 October 1881 Picasso was a Spanish painter, draughtsman and sculptor. Best known for founding the Cubist movement and for the wide variety of styles embodied in his work, his most famous works are the proto-Cubist Les Demoiselles (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War.
By the time he died on 8 April 1973 he had revolutionized the art world.
‘Others have seen what is and asked why. I have seen what could be and asked why not.
- Pablo Picasso.

His father was a professor of art and by the time Picasso was a teenager his father felt his son had surpassed him and he vowed to give up painting.
Picasso was a child prodigy, capable of painting elaborate classical portraits and his teachers at university found he was so advanced they were unable to teach him anything.
He toured the galleries of Europe as a young man, studying the masters.
He painted in poverty in Paris, often burning his canvases to keep warm.
He developed cubism during the time he lived with George Braque, the lesser known cubist painter. Together they pioneered the cubist movement, which consisted of deconstructing the world as we see it.

Analytic cubism is a style that uses monochrome brownish and neutral colours. Objects are deconstructed and analysed in terms of their shapes.








One of the reasons we look at art is to see at the world differently, a great painting will show a fresh perspective, it will make the world new.



And that is exactly what Picasso achieved in his paintings.



By breaking up form he forced the viewer to look at the canvas and reinterpret the world around him.
Iconoclastic and irreverent towards the art world, Picasso had so many imitators by the end of his life, that he would often walk round art galleries pointing at paintings that bore his name saying they were not his.
Sometimes they were, and he enjoyed taunting the gallery owners with their own ignorance.
The road to fame was a hard one, in which Picasso endured much poverty and hardship.


However, by 1905 he had become a favourite of American art collectors Leo and Gertrude Stein.
In Paris, Picasso entertained a distinguished coterie of friends in the Montmartre and Montparnasse quarters, including Andre Breton, poet Guillaume Apollinaire, and writer Alfred Jarry.
Then there were the women.
In 1927 Picasso met Marie-Therese Walter and began a secret affair with her while still married to Khokhlova. He chose not to divorce her and separated from her instead, since he did not want her to obtain half his wealth. The two remained legally married until Khokhlova’s death in 1955.


Picasso carried on a long-standing affair with Marie-Thérèse Walter and fathered a daughter, Maia, with her. Marie-Thérèse lived in the vain hope that Picasso would one day marry her, and hanged herself four years after Picasso’s death. Throughout his life Picasso maintained a number of mistresses in addition to his wife or primary partner. He was married twice and had four children by three women.


During the Second World War, Picasso remained in Paris while the Germans occupied the city. His artistic style did not fit the Nazi views of art. They wanted political propaganda, so Picasso was not able to show his works during this time.
In 1944, after the liberation of Paris, Picasso started a new relationship with a young art student, named Francoise Gilot. Having grown tired of his mistress Dora Maar, Picasso and Gilot began to live together. After his relationship with Gilot fell apart, and she left; Picasso continued to have affairs. While still involved with Gilot in 1951 Picasso had a six-week affair with Genevieve Laporte (1926), who in June 2005 auctioned off drawings that Picasso made of her and gave to her as a gift.
Eventually Picasso began to come to terms with his advancing age and his waning attraction to young women, by incorporating the idea into his new work, expressing the perception that, now in his 70s, he had become a grotesque and comic figure to young women. A number of works including paintings, ink drawings and prints from this period explore the theme of the hideous old dwarf as accompaniment to a doting lover of a beautiful young model.
He depicted himself as tumescent bull lusting after women.
In addition to his artistic accomplishments, Picasso had a film career, including a cameo appearance in Jean Cocteau’s Testament of Orpheus. Picasso always played himself in his film appearances. In 1955 he helped make the film Le Mystère Picasso (The Mystery of Picasso) directed by Henri-Georges Clouzot.
Pablo Picasso died on 8 April 1973 in Mougins, France, while he and his wife Jacqueline entertained friends for dinner. His final words were “Drink to me, drink to my health, you know I can’t drink any more.” He was buried at the Chateau of Vauvenargues near Aix-en-Provence, a property he had acquired in 1958 and lived in with Jacqueline between 1959 and 1962. Jacqueline Roque prevented his children Claude and Paloma from attending the funeral. Devastated and lonely after the death of Picasso, Jacqueline Roque took her own life by gunshot in 1986 when she was 60 years old.







The legacy he left is monumental.
Picasso’s work spanned various periods. The Blue period consisted of sombre paintings rendered in shades of blue and green. The Rose Period was characterised by a cheery style with orange and pink colours. The African-influenced period gave way to Cubism. And towards the end of his life he returned to classicism, coupling it with surrealism.

Femme aux Bras Croises, 1902, Blue Period

Garcon a la Pipe, 1905, Rose period

Picasso was exceptionally prolific throughout his long lifetime. The total number of artworks he produced has been estimated at 50,000, comprising 1,885 paintings; 1,228 sculptures; 2,880 ceramics, roughly 12,000 drawings, many thousands of prints, and numerous tapestries and rugs.
He was innovative throughout.
One of his most striking and arresting sculptures consists simply of a pair of bicycle handle bars placed on a bicycle seat.
It is a sculpture of a bull’s head and its realism is all the more powerful when you consider the simplicity of the materials he used to make it.













Picasso said that art is everywhere and he would find objects and use them for his sculptures.
His virtuosity isn’t surprising when you consider the speed with which he worked, visible in the films taken of him in his studio and the comment he once made when asked why he was always working.
Picasso answered:
‘Inspiration exists, but it has to find us working. 

Bio: RICHARD GODWIN is a prolific writer of powerful, dark fiction.His essential blog is here .His short story ART is here. His short story The Iconoclast is here. Links to his other work can be found here




News from BYKER BOOKS

News from BYKER BOOKS

'Morning,

Just a quick reminder that our latest crime fiction book 'Maxwell's Silver Hammer' will be launched at 10:30 on Saturday 10th July at the new Oxfam Books and Music store on St. Georges Terrace, Jesmond, Newcastle upon Tyne. There'll be music and stuff in the afternoon as well so you could come along and make a day of it.

Also, if you're interested, the author of the book, Andy Rivers, will be making a brief appearance on BBC2's 'Money Watch' programme on Wednesday 6th July from 20:00 - they thought they were filming his thoughts on finding work in this recession hit era but he was on a mission to mention the words 'Byker Books' and 'Maxwell's Silver Hammer' as often as possible - good lad!

Finally, if you weren't aware of it 'Maxwell's...' is getting some excellent feedback (see our Your Shout page for examples) and signed copies are still available at the discounted price of £7.00 here.

Cheers,

Ed

Byker Books'

Tuesday, 29 June 2010

PULP METAL MAGAZINE has moved!

PULP  METAL  MAGAZINE has moved. Something to do with how bad England played in the world cup. Or maybe not.
Anyway, it's moved HERE!

STATIC MOVEMENT - Open Submissions & Anthology Updates.

STATIC MOVEMENT  are  accepting 

submissions for these 

anthologies now:

Dusted

Caught By Darkness

Gothic Worlds

Thriller! A Young Adult Anthology

Were-What?

Creepy Things

Bounty Hunters

Yarns for Our Youth

They have also picked up the following Lame Goat Press Books anthologies to publish since Lame Goat Press Books are no more.

Don't Tread on Me 

Deep Space Terror Now available at Amazon!

Flash! 

Inner Fears on sale now, buy now at Amazon!

By Mind or Metal


More details here. And yes, I'll be having the odd story in some of these anthos.

Monday, 28 June 2010

SHORT SHARP INTERVIEW: ANDY RIVERS -Maxwell's Silver Hammer


SHORT SHARP INTERVIEW: ANDY RIVERS

 'After Billy Reeves had survived a poverty ridden and violent childhood on a council estate in Newcastle he thought he had it all; a loving family, money and respect but a face from the past with a point to prove and muscles to flex is out to bring  his world crashing down on him.' Maxwell's Silver Hammer by ANDY RIVERS

Q1:Is 'Maxwell's Silver Hammer' part of a series of books named after crap Beatles songs?

Ha ha - no mate, it just fitted the stuff I had in my head at the time. Mind you given this week's budget maybe I should have called it 'Taxman'...

Q2: Your Facebook page lists two of your interests as heavy drinking and theatre. Have you ever combined both activities?

Not as a rule - mainly because I want to know what's going on in the play I've paid for. Went to see a corker last night incidentally 'Apples' adapted from the book by Richard Milward and acted by a cast of younguns. Top bit of theatre - a sort of Trainspotting meets Skins!

Q3: How much of Maxwell's Silver Hammer is autobiographical?

It's not autobiographical as such (in that I've never killed anyone...yet!) but a lot of incidents and scenes in the book did happen to either me or people I know - one example being the re-arranging of letters on the cinema board every weekend... heh heh

Q4: Which soap operas do you watch?

Other than the one involving the England 'team' (i use that word very loosely) over the last few weeks none. I did once go drinking at Limerick dog track with Bradley out of Eastenders though!

Q5: How did you get mixed up with Byker Books?

Pure bad luck! :-)
Nah - I used to read (and try to get published in) 'Bullet' which went under and whilst casting about for something similar (I swear a lot and most publishers - particularly the established short story ones - aren't keen!) I discovered Byker Books so sent them some stuff for the 'Radgepacket' series, mentioned I was also from Byker originally (nepotism isn't a dirty word kids honest!) and that I'd written a couple of books. they asked to take a look and bingo, here we are two books later and me a multi-millionaire.....or not.

Q6: Jimmy Nail, MC Hammer or The Turning Of The Screw?

Ain't no doubt it would have to be Jimmy Nail - I am a 'Big River(s)' after all man....

Bio: Andy Rivers has been a Butlins barman, pretend chippie on a Spanish construction site, coach holiday rep, mobile sandwich salesman and outdoor traffic cone washer to name but a few of his eclectic 'career' choices.

Originally from the East End of Newcastle he now lives in Oxfordshire where, as well as following Newcastle United around the country, he passes the time by indulging in his passion for ‘Professional Geordie-ism’ and lager.

'Maxwell's...' is his first novel but he is also the author of ‘I’m Rivelino’ , also published by Byker Books, a hilarious account of the thirty odd years of hurt he has suffered at the hands of the Magpies.

With the royalties from this book he plans on buying a Ferrari and having a proper mid-life crisis

More about MAXWELL's SILVER HAMMER HERE 

A much better interview with Andy is HERE at Radgepacket Online

PLOTS WITH GUNS #9, JUNE 2010- OUT NOW!

This looks like a cracking issue with lots of my favourite writers. So far, I've only read Cameron Ashley's  fantastic "Blood and Bone in Bambooland," but the line up also includes Frankie Bill, Kieran Shea, Dennis Tafoya and more so it can't be bad.

PLOTS WITH GUNS #9   is HERE!

Sunday, 27 June 2010

Ten Tip Top Tips to Becoming a Writer By Joseph Ridgwell.

OVER at the cushty 3:AM MagazineJOSEPH RIDGEWELL  has  this to  say in his TEN TOP TIPS TO BECOMING A WRITER

'Do not listen to the opinions of anyone who works in the publishing industry. These freaks don’t know what the fuck they are doing. They must be ignored at all times and often derided for their stunning ignorance of what constitutes a writer. This includes all editors, literary agents, slush-pile flunkies, and the PA girl whose father is rich and her mother good-looking, but is as thick as two short planks.'

And there's more ...

CRIMEFACTORY 3.5 - ALL FICTION ISSUE - IT'S ALIVE!

CRIMEFACTORY  HAVE  PUT  TOGETHER  AN  ALL FICTION
ISSUE  WITH  STORIES  FROM

SOPHIE LITTLEFIELD, ERIC BEETNER, NAOMI JOHNSON, JASON DUKE, CULLEN GALLAGHER, JAKE HINKSON, JAY STRINGER AND MORE!

CHECK IT OUT HERE!

Saturday, 26 June 2010

EVERYDAY PEOPLE at A TWIST OF NOIR !

YEP, A TWIST OF NOIR HAVE POSTED MY FLASH STORY  EVERYDAY PEOPLE , WHICH WAS UP AT THRILLERS KILLERS N CHILLERS LAST YEAR... HAVE A GANDER, LIKE.

Friday, 25 June 2010

ICE CREAM FROM CROW! News From Lynn Alexander: Blink|Ink, MUST, And More...

News From FULL OF CROW's Lynn Alexander:  
Blink|Ink, MUST, And More...

 
'Blink|Ink :

First: the new issue of Blink|Ink is out. 
Doug Mathewson edits this quarterly printed publication, which is part of the Full Of Crow family that seems to need some birth control because we are not going to fit around the table come Thanksgiving Tofu Time. He'll be tagged here, go stalk him. He can't get any restraining orders 'cause he talks to cacti.

Thank you to everyone for the support and enthusiasm for this little magazine. To find out more, go HERE where you can download a free PDF version, subscribe, check out the submission guidelines, and more. 

MUST  

MUST, the microzine from The Sphere, will go to print again soon and we are looking for your (short) content. MUST now has a blog of its own HERE with all of the info. MUST has been around for over a year now, and thousands of these things have been spread like germs all around the world. Why not be a partner and spread them too? Details at the blog.

Full Of Crow

 
Full Of Crow Fiction is up early, the July issue is already online and I am happy to say that the Fiction section I love will be adopted by a Bay Area Hippie. Yes, edited now by Paul Corman-Roberts, effective as soon as he returns from vacation but after he rubs it in and the bitterness dissipates. I'll tag him first so you can click on his face and sit with me in desperate vigil waiting for his little icon to go green again. Come home, Paul. 

MiCrow Flash If you haven't sent your flash yet, you have a little bit of extra time while Walt Conley- elusive shaved editor- is in training for our boxing match on The Commons. Under 1000 words, I'll tag him, email to microw@fullofcrow.com. Suck it, Team Conley. Team Jacob too, for that matter.

Graffiti Kolkata Broadsides Subhankar is letting me design and fill up GKB #11 and I'm thinking it will have some body graffiti art. Scars, tattoos, yours or mine, who knows... but inquire lynnalx@gmail.com. Trusting Subhankar, you know not what you do...

Crow Radio Every Sunday night, 10 pm EST. This week will be poetry with Rebecca Schumejda, tagged. For all of the info you could possibly want including a full schedule of shows, links, archives, audio downloads, guests, open mic shows, and more... check out the AUDIO page:
www.fullofcrow.com/audio or HERE 


Crow has a BLOG! 

Swing by, and shake your head at us.'


Plenty to check out there, then!

Wednesday, 23 June 2010

SHORT SHARP INTERVIEW: Charlie McQuaker -Die Hard Mod!


Die Hard Mod by Charlie McQuaker is published by Brighton’s Pulp Press http://www.pulppress.co.uk/ whose slogan is Turn Off Your TV And Discover Fiction Like It Used To Be ...




PDB) Is DIE HARD MOD autobiographical?

Charlie) Apart from having lived in both Belfast and Brighton, no, not really, though I’ll admit I’ve got same weakness for pretty bob-haired brunettes, beer and 60s music that Steve the Mod does. I’m probably more of a beatnik than a Mod and I’ve also managed to avoid violence since my last unsuccessful playground scrap in Belfast when I was about 14!


PDB) Do you really think mods could beat rockers in a fight?

Charlie) The original Modernists wouldn’t have lowered themselves to scrap with greasers because they wouldn’t have wanted to get creases on their sharp Italian suits and it’s also quite difficult to indulge in fisticuffs when you’ve got the latest Mose Allison album tucked under your arm.

From about 1964, though, a lot of the Mods were hard little proto-skinheads so they’d probably have been able to handle themselves pretty well. When it comes to one-on-one combat however, you’ve got to say that biker boots can inflict much more damage than Hush Puppies so the Rockers would have the edge in that situation. Sorry to my Mod muckers for that admission!


PDB) Which drug would you choose to die of an overdose from?

Charlie) Booze is my drug of choice so can I drown in a vat of 10-year-old Bushmills please?


PDB) Who would play Steve in the film version of Die Hard Mod?

Charlie) If Colin Farrell can master a Belfast accent and get himself a decent Steve Marriott circa ’66 haircut, the part’s his for the taking!


PDB) What is Die Hard Mod’s theme song?

Charlie) 'Bad Little Woman' by The Wheels.


PDB) Belfast/ Brighton-what's the connection?

Charlie)Apart from both being situated by the sea, there’s not an obvious connection and Belfast is gritty and down-to-earth while Brighton is quite bohemian and poncey but maybe at a push you could say that they both share a bit of a maverick attitude.

All my Belfast mates love Brighton and my Brighton mates have had a blast when they’ve visited Belfast so maybe each place sees something in the other that they really like. Belfastards and Brightonians both like to party hard so that’s one definite connection!


This  interview was first up at PULP METAL MAGAZINE.

Charlie McQuaker’s blistering Die Hard Mod ...
 

‘One perfect summer, Steve the Mod got his kicks with the beautiful but wild Jeanie - now life's just giving him a right good kicking...
Set in the troubled back streets of Belfast and the thrill-seeking underworld of Brighton, Die Hard Mod is a fast-paced tale of lust, love, friendship and righteous retribution.'

Charlie McQuaker’s Die Hard Mod is not only a rush of a read, it looks great too.

The book has a beautiful retro cover with an aged look that gives the impression that it’s an old Seventies’s paperback – maybe by Richard Allen ( in fact McQuaker says 'I thought I’d have a bash at doing my own version of what I imagined Richard Allen did with the ‘Skinhead series of books thoug I’ve never actually read any of them!) -that has been stuffed in someones back pocket for about twenty years.

It’s perfectly paced, in pint sized chapters and is a great hangover cure.

Don’t start it in a Sunday night, though, because you’ll probably throw a sicky on Monday morning so you can finish it.


Die Hard Mod is the latest
release from Pulp Press – a new
publishing house which aims
to give the pulp fiction genre
a 21st century makeover
and whose brilliant slogan is

Turn Off Your TV And Discover Fiction Like It Used To Be ...

Tuesday, 22 June 2010

COMING SOON . . . Harbinger * 33

Ahoy!    

It's on the horizon!

The Public Eye

Recently, over at at Ray Banks' Saturday Boy blog, I was reminded of Frank Marker.

While we think of sixties and seventies TV cops as sophisticated post James Bonds , Marker, who was played by Alfred Burke in the sixties television series PUBLIC EYE was no Simon Templar or John Steed, I can tell you. Marker had a lot more in common with the character that Richard Burton played in the film The Spy Who Came In From the Cold or Edward Woodward’s Callan. In fact Marker is almost an amalgam of Callan and his occasional side kick Lonely.

Apparently, Public Eye ran for 10 years –from 1965 to 1975- and although I haven’t seen it since then I remember it quite well and very fondly. Marker moved from a dingy office in London to another flea pit in Birmingham and eventually to Brighton, and I can still picture him walking along a wind and rainswept sea-front, looking like someone from a Morrissey song.

Marker looked like a soggy mongrel and he was a walking hard luck story, getting knocked about by the police as well as criminals and even being framed and sent to prison.

As you can see from the picture, he was no Jason King!


This post recently appeared at The Tainted Archive as part of the TV COPS WEEKEND.

Monday, 21 June 2010

Short Sharp Interview: Alan Griffiths - BRIT GRIT


Alan Griffiths  has had stories published online at A Twist Of Noir, Pulp Pusher ,Thrillers , Killer N Chillers and Radgepacker Online. He was nominated for a 2010 SPINETINGLER AWARD.

His blog is  BRIT GRIT

PDB) The Krays or The Richardsons?

Alan) Has to be the Krays although I once worked with a bloke who said he was related to the Richardsons.I think he was just trying to put the frighteners on me and was after my luncheon vouchers! Nah, it’s got to be the twins.


PDB) Could you choose three stories as examples of your writing?

Alan) Rat Fink – the first story I ever finished and was happy with. I sent it off to A Twist of Noir with a hope and a prayer and was amazed when Christopher Grant accepted and published it. I owe Chris a huge thank you for his help and encouragement. I also recall a certain PD Brazill leaving a very kind and encouraging comment.

Tom Foolery – the follow up to Rat Fink. I wrote it with Pulp Pusher in mind and was chuffed to bits when Tony Black accepted and published it. 

Monkey Man – this originated from my first attempt at Cormac Brown’s Friday Flash Fiction. It was a fun piece to write. I had more fun extending it and was delighted that Matt Hilton and Col Bury agreed to publish it on Thrillers Killers n Chillers. It’s a personal favourite and I hope to be able to pen a longer more serious piece around the central characters someday.


PDB) Is location an important part of your writing?

Alan)Well all my pieces are set in London (at least they are in my head). I’ve lived in London all my life and it’s what I know. That said I need to push myself more regarding location, period of setting and genre. I sneakily would like to attempt a little Sci Fi after being mightily impressed and inspired by Chad Eagleton’s Six Bullets for John Carter, which is published at Beat to a Pulp.

PDB) Research- essential or a waste of time?

Alan) I think research adds authenticity. For my shorter stuff I do very little research but I use the Internet (Wikipedia etc) when I need to. I think for longer pieces research supports the narrative and makes it real but for me the story, plot and characters are always the priority.


PDB) Which British crime writers float your boat?

Alan) Oh loads, I’m a ferocious reader and that’s what got me into this writing lark. 

Ian Rankin and John Harvey are old favourites. Harvey ’s Charlie Resnick novels are a joy to read and he is a very stylish and accomplished author. Mark Timlin’s hardboiled Nick Sharman novels.

I read many years ago J. J. Connolly’s Layer Cake and was bowled over by it. It was then made into a fine movie that, I think, ranks alongside the likes o f Lock Stock and Two Smoking Barrels. I’ve read that Connolly is working on a sequel and I would love to read that one day. 

I’ve just re-read John Milne’s Jimmy Jenner series of four novels – all are terrific and were written in the 1980’s and 90’s – the last Alive & Kicking is the best and a great example of how a PI story can be written and set, convincingly, in Britain . He really makes a one legged and partially deaf PI come alive!

Of the new generation: Tony Black’s Gus Dury novels are cracking – I’ve read Paying For It and Gutted and eagerly await Loss being published in paperback. Ray Banks is great - I’ve read the first three Cal Innes books and the fourth is on my list.The Charlie Williams Mangel books are top notch and very darkly humorous. Also, Allan Guthrie – Two-Way Split was a great debut and deservedly won the Theakston ' s Old Peculier Crime Novel of the Year Award.

Recent stuff: The Last Straight Face and the sequel Fat BlackmailBruce Kennedy Jones and Eric Allison; they are very gritty and authentic books. Matt Hilton’s Dead Men’s Dust, which is a terrific ‘can’t put it down’ thriller.  written by

Then there is Danny Bowman (aka Danny Hogan) and all the great stuff he is doing with Pulp Press
I’d better finish there but my Brit crime writer boat is well and truly floated and my bookshelves creaking!


PDB) Have you got a proper job?

Alan) Yes. I’m a bean counter for a large company in London . The job is secure (I hope!) and I’m grateful for it. I enjoy the job but it does not take long for my mind to wander onto the subject of books and writing...

PDB) What ' s on the cards for the rest of 2010?
Alan) Continue with the writing. I would like to write longer stories but, blimey its hard work… I’ve just completed a 2,000 word story for a competition and I spent a lot of time on it (I’m not sure if it’s apparent in the finished article though!). I’m very fussy with my stuff and spend an age reviewing and tweaking and reviewing and tweaking – it’s a bit like chipping away at a huge chunk of marble. 

My aim (my dream) is to get a story published in an anthology and to accomplish that I think I need to produce (consistently) some quality longer pieces. Hopefully along the way I’ll continue to get stuff published on Webzines, maybe those that I have not yet cracked. My mantra must be – write, write and write more.I’ll be doing a lot of reading as well. Who knows maybe one day I’ll pen a novella or a novel…

Before I end; thanks to all the Webzine editors. I’ve mentioned AToN, BTAP, PP and TKnC but there are many others, including this cool publication. The stuff these guys do to support us aspiring scribes is tremendous and very much appreciated.

A big shout out to the other Brit Grit aspiring writers - I’ve got my mince-pies on the likes of Col Bury, Lee Hughes and David Barber etc (sorry if I’ve forgotten anybody) – I admire all your work and rate it highly. I think we share the same hopes and dreams and I hope to be able to pick up a book with your name on it in a WH Smith or a Waterstone (or wherever) someday soon and spend some of my hard earned dosh on it. 

Finally, my sincere thanks go to you PDB for all your help and encouragement. Your stuff is not too shabby either and I’m delighted that you will soon be published in hard copy - it’s very well deserved achievement by a very talented writer. I’ll certainly pick up a copy of anything that has your name on it and hand over a few shillings at the till. You’re not a bad bloke really, apart from the flat cap, the Woodbine tucked behind your ear and the emaciated whippet by your side… 

This interview with Cockney Al Griffiths was at  PULP METAL MAGAZINE first

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He Would Say That, Wouldn't He?

'Life is a tragedy when seen in close-up, but a comedy in long-shot.’ Charlie Chaplin.